Wednesday, August 1, 2018

Title: Fluid Integrated Building Skins

Research Purpose:


1. Directional Flow

2. Multi-Directional Flow

Wednesday, July 18, 2018

Title: Review of Exhibition 'Translated By' curated by Shumon Basar

AA Times, Feb 11, 2011

“Translated by” is an exhibition composed of excerpts from 11 novels in the form of audio tracks with supporting images and 11 seats to sit for visitors, chosen by the writers themselves. It is happening at the AA Gallery at the moment and will take you 93 minutes and 26 seconds to listen through all the exhibits. It would be curious to know how many people did manage to listen all the sound tracks in our busy architecture school. Seeing that travelling through space and time involves the need to indulge oneself with a sequence of events at different places and paces.

In the exhibition, the visitor is coerced to find a relationship between different mediums. It is made explicit in the exhibition description to follow the numbered tracks and numbered images, imposing certain rigidity upon the experience.

Sound as a single medium to transport people metaphysically through different spaces and time is a fluid transition. Carefully selected images and objects are there to disturb this smooth shift. They become the transition between the exhibition space and the space of the story. Moreover, the transition between sound tracks. One amusing aspect of the seats is that, most of them are faced towards the wall, possibly with the intention to isolate the particular event. However, the effect of shifting through different spaces is heightened at track 9, where the designated seat is the rotatable office chair. Sitting there facing towards the setting of track 11, a plastic chair with grime and a pile of tin cans (if you have done it before 9), the experience is somewhat confusing.

Imagine listening to someone in Brooklyn with your headphone and yet the story in West Vancouver where the world is ending from track 11 resounding in your head. The experience is possibly best described as “winding a mix tape of space and time.”

Titles: The City We Deserved?

The Myanmar Times, November 10, 2014

In Yangon, the root of our urban problems lies in a lack of physical and ethical distinctions in people’s minds between public space and private space. As the city develops, the consequences of the shortfall of public knowledge on this subject will increasingly be brought to the fore.

Yangon is a city shaped on the private scale. The basic element of the city is the optimizing individual and his or her immediate private space. As the urban population continues to rise, a typical “optimizing” person, who is by definition opportunistic, wants as much space as they can acquire. Domestic lives manifest themselves beyond the boundaries of private space, and the occupation of public space for private use has become the norm.

But when the spatial needs of one individual are juxtaposed with those of many others, the city becomes a congested ground of constant spatial contestations. Consider a typical downtown urban block as a microcosm of Yangon: Most streets contain multiple programs of commerce and living, and people’s acts in areas like these create complex, unthought-of implications for all.

Physical acts

Spitting and littering in public space are very common. For example, in urban blocks, residents use what should be public space behind their properties as if it were private. Residents from upper floors typically throw trash down into the alleys, treating it as their own open-air trash bin. This not only makes these areas unusable for other purposes, but attracts stray dogs and pests, who live off the abundance of sustenance in the alley. It’s not uncommon to hear the screams of stray dogs which have been hit on the head by falling trash bags. And spitting is a similar act to littering: Waste is expelled – but straight into everyone else’s shared environment.

Ethical beliefs

Sometimes altruism has unintended consequences. Many religions encourage kindness to animals, and for Buddhists the desire to provide and donate encourages the feeding of pigeons and stray dogs. But the resulting overpopulation of stray dogs and the noise pollution also impacts the quality of urban life.

While animals are cared for, buildings generally are not. To say there is a correlation between belief systems and the shape of a city may be debatable, but it is true to say that residents often accept things as they are, without striving to change them. That also extends to the urban environment. People take care of their own sections of a building’s façade only occasionally, so the result looks like a patchwork. Only recently have we seen a surge of interest in the look of the skyline, mostly through the commercials of new developments. Maintaining buildings and urban spaces is a Western concept, and Yangon is a city made with a provisional outlook.

Without attention, nature thrives in Yangon’s urban environment – but not in a way we might enjoy. A city left alone to natural growth over time becomes a complex ecosystem. Nature loves overlooked spaces and thrives in them. Mosses and large plants prosper behind the building blocks; so do varieties of ants, other insects and rats.

Economic pressures

Traditional ways of doing business are perpetuated by grueling economic conditions, but not always to the benefit of the urban environment. Mobile street hawkers are familiar sights in the city. Whether the noisiness and traffic they cause is beneficial or not makes for a spirited debated between those who appreciate street food and those who want to pass a quiet time. They are, however, examples of a significant problem in Yangon: Ownership of the streets is ambiguous.

Driven by lack of private space, some people take permanent proprietorship of part of the street by growing plants, using space for commerce or putting other private possessions there. In downtown blocks with dense activities, human activities fill every available corner. Parking is reduced, leading to clogged streets and constant traffic jams. Private lives spill out into the public environment and make things slower, noisier and more crowded for everyone.

A matter of philosophy

In ancient Greece, some philosophers went to one extreme, defining public space as a place where individuals should not draw attention to themselves, intentionally or otherwise. (To give a radical example, conjoined twins appearing in an ancient Athenian marketplace would have been considered offensive to the public, despite the fact that being born conjoined is a natural happening, not a social statement.)

Others, such as the Cynics, favored the opposite view. They considered public space to be a place where people could do anything they prefer, without needing to consider – or be considered by – others.

Residents seem to lean toward the latter view. But philosophers like Raymond Geuss (born 1946) would say Cynics are people who detach themselves from politics. The essence of politics is mutual dependence. In a city like Yangon, where some people litter on the streets, people must not be feeling they will have to suffer inconveniences from the polluted streets that result from their actions, or they would not do so.

If we do not unravel urban issues related to and caused by people’s behaviors, the city will become increasingly difficult to manage in the years ahead. Just as animals decline when forests cannot sustain them, so too do humans wither when our environment fails to support us. But the city by itself does not degenerate. It does so when individuals do not do what is right and is of most benefit to all.

It is essential that we ask ethical questions about what it means to live with others. This, as much as better buildings or traffic flows, is what could create a better city and a friendlier urban environment.



Title: Architects of Change

The Myanmar Times, June 19, 2013

As someone studying architecture overseas, I am struck when I return home by the low profile of the profession here and the lack of understanding among the public about the role architects play in creating the spaces we live in and the cities of the future.

When I began studying at the Architectural Association School of Architecture in the United Kingdom, I noticed the literary thickness of architecture: There were more than 40,000 volumes on architecture-related topics in my school’s library, including history, theory and contemporary debates on architecture and built environments. Through reading these books, I learned that architecture not only shapes the individual spaces we live in, but also has a wider impact on technology, and the social and cultural aspects of our environment.

As I gained knowledge about architecture, I became more aware of how little understanding there is in Myanmar about architects and architecture. Relatives and friends building new homes often sought quick advice before contacting an engineer, but questions such as – “how deep should the foundations be for a two-storey house built on a mountainside?” and “how much would that cost?” – were usually vague and out of context. Once, a person asked me for a draft of a new home without providing any information about the neighbourhood. All I was given was the size of the land plot and asked to provide a drawing. This showed me that, in Myanmar, architecture is often considered a purely technical function.

People here have forgotten that architecture is a creative practice and that buildings and contexts can be immensely different depending on their location. If designing a building was a simple activity, a sort of formula, the profession would not have lasted nor would the world have been able to witness astonishing architectural achievements, such as St Peter Basilica in Rome or CCTV tower in Beijing. Perhaps this lack of understanding by the public, and a lack of desire for innovation and creativity, has affected architects.

A large percentage of the population relies on traditional builders, Payan Sayar, for constructing smaller homes, while those building taller or bigger buildings are more likely to rely on engineers than architects. Only a small percentage of the population is aware of the additional value of using architectural services to create a piece of urban structure with spatial, functional convenience and well-considered aesthetics. Often, people think that it is not worth the money to hire an architect when they can hire an engineer to construct a building.

However, if you look at other cities around the world – if you consider the sophistication of design, material and construction – it is clear that builders and engineers are not solely responsible for the results. Instead, these cities are created by collaboration across different professions: from architects, engineers and builders to cultural consultants.

As an architecture student, I have become aware of a widening gap between the education I receive abroad and the context at home. For example, in the West there is a race to build the first 3D-printed architecture, which allows the architect to design a building with modeling software and for the building to be subsequently built by machinery controlled by the computer. In Myanmar, to use the words of one local architect, it is difficult to locate a Payan Sayar who excels at tiling. On top of the technical challenges we face, cultural and societal challenges are created by a public that is uninformed about the prospects of good environments.

In the past, it might have been possible for the public to disobey regulations – for example, building a six-storey building on a plot where only three floors are allowed – but now that the country is moving forward with better governance, the people of Myanmar should really aim for the highest goals to achieve a living environment that is sustainable, clean, livable and beautiful. The government can only do so much. The real power to change hinges on a switch in attitude among the public by tapping the ambition to create a beautiful, rich cultural milieu for the nation to enjoy for decades and even centuries.

Architectural and urban-planning issues should not be restricted to professional debates. Public education should also be conducted. An engaged and better-informed public will drive our goal of creating global cities in Myanmar for the 21st century.

list of published articles:

Architects of Change • June 19, 2013 • The Myanmar Times
The City We Deserved? • Nov 10, 2014 • The Myanmar Times


list of published works:

Hyper-Articulated Morphologies. Unit20. Edited by Marcos Cruz & Marjan Colletti. 2016. 
Trento & Barcelona: List Lab (ISBN: 9788899854058)
Hyper-Articulated Topologies. Unit20. 2017. UCL: Bartlett School of Architecture.


Title: Spaces That Learn

Description:

Submitted for the Spaces That Learn Competition 2020.

The drawings envision a near future where architecture schools are AI-augmented.

The drawing challenges the methods in production of architectural knowledge and the role of tutors in the current context. In an AI-augmented architecture school, professors and teaching staffs will be required to do double work of teaching people and training AI. The role could entire shift to just training AI, especially for subjects such as History and Theory.

In such a school, learning will be highly interactive. Students and tutors will be able to gain access to high level, curated information in any topics they are curious about in real time feedback loops. If it took past students 5-years to graduate with a vague sense of what architecture is or graduate with some understanding of architectural history, it will take an AI-assisted architecture student, a few days to months to gain a broad overview of popular architectural knowledge. Topics with greatest available data or topics that provoke mass interaction will be the most reinforced knowledge in an AI learning environment. In such an environment, finding messy or obscure bits of information, histories, figures, drawings and concepts will be increasingly challenging. But in the messy bits, real learning and production of new architectural knowledge will take place.



by research topics:


fluid flow 

> flower factory
> water pavilion
> fluid integrated building skins

cybernetic systems 

> super cow park

environmental building skins 

> church mosque of kigali      
> fluid integrated building skins



Sunday, July 1, 2018

list of drawing projects


> Hybrid Bug-Machine Drawings 2010
> Animalesque City 2021